Crip Magazine. Actually, the Dead Are Not Dead #03
Titel | Crip Magazine. Actually, the Dead Are Not Dead #03 |
Typ | Buch |
Jahr | 2020 |
Autoren | Hg. Eva Egermann, Hg. Iris Dressler, Egermann Eva, Bilda Linda, B. Julia, Ilitcheva Ianina, Walden Romily Alice, Ortiz Antonio Centeno, Preciado Paul B., Schönwiese Volker, Taylor Sunaura, Kaffenberger Saskia, Jakobsen Jakob, Garde Jonah, Collective C.R.E.M.E., Hofer Raina, Lindholm Jemina und Lüthi Eliah |
Volume | #03 |
Verlag | Eva Egermann (Eigenverlag) |
Ort | Wien |
Schlagwörter | Antonio Centeno, C.R.E.M.E. Collective, Elia Lüthi, Eva Egermann, Ianina Ilitcheva, Iris Dressler & Hans D. Christ, Iris Kopera, Jakob Jakobsen, Jemina Lindholm, Jonah I. Garde, Julia B., Linda Bilda, Lorenza Böttner, Nicole voec, Paul B. Preciado, Philmarie, Raina Hofer, Rick Reuther, Romily Alice Walden, Saskia Kaffenberger, Shannon Finnegan, Sunaura Taylor, Valérie Favre, Volker Schönwiese, Walter Ego |
Zusammenfassung | Crip Magazine is an evolving process. We aim at offering the best possible accessibility. The texts of this issue exist in English. Texts are printed in the typeface Sassoon, a font that was designed by Rosemary Sassoon especially for early readers.Presumably from 2020 onward, an accessible PDF version of the magazine will be free to download online. If requested, we offer various formats that can be read by, for example, screen readers. Please contact us if you have any questions regarding this. Also, please contact us in case you wish to contribute or get involved. Basic orientation: Crip Magazine is an art project.Reproduction forbidden unless specifically authorized. The form of gender-sensitive language used was determined by each individual author. Contributions designated by name do not necessarily reflect the opinion of the publisher. How great that it was possible to realize a new edition of Crip Magazine in the context of Bergen Assembly 2019! Bergen Assembly is a triennial of contemporary art that takes place every three years in the Norwegian city of Bergen. Its 2019 edition entitled Actually, the Dead Are Not Dead was conceived by a group of twelve co-curators. At the center of this project is a preoccu-pation with life, with an understanding of life beyond the binary oppositions of life and death, human and non-human, subject and object, abled and disabled, healthy and sick: that is, beyond those normative mo-dels and constructions of life which are produced by the institutions of medicine, politics, law, and culture. The project explores the emancipatory and political potentialities of art, its capacities to think, conceive, and live life differently. Here, we are interested not in any heroic discourses or gestures, but in aesthetic and emanci-patory practices in which strengths and vulnerability, mourning and joy, conflict and celebration, the living and the dead belong together. Actually, the Dead Are Not Dead comprises an exhibition, a broad discursive, performative, and mediation program as well as various new productions. From the very beginning, we have understood Bergen Assembly as a decentral platform that engages with long-term projects situated across the fields of art, research, and activism. This is why we were not only interested in presenting Crip Magazine in Bergen, but also in sup-porting the production of its third edition. Crip Magazine inherently relates to two of the major aspects with which Actually, the Dead Are Not Dead is concerned: first, the rebellious, dissident, and non-normative body as a tool and object of artistic and political practices; and second, aesthetic forms and formats that make it possible to share the knowledge and experiences of emancipation and resistance: magazines, posters, banners, manuals, and more. Our interest in collaborating with Crip Magazine was free of any requirements concerning content and form. Nevertheless, some of the contributions of this third edition are directly related to Actually, the Dead Are Not Dead, especially to the exhibition and to The Parliament of Bodies: The Impossible Parliaments, the latter curated by Paul B. Preciado and Viktor Neumann. We are very happy about these correlations that at the same time allow Bergen Assembly to reach out and connect with other contexts and networks. - Iris Dressler, Hans D. Christ, artistic directors of Bergen Assembly 2019 Editorial: Goddess on the mountain top ...* |
Signatur | Z Sonstige 02 |
URL | https://cripmagazine.evaegermann.com/wp-content/uploads/2020/01/crip03-download-2.pdf |